See Camera Corps on the Vitec Group exhibit at NAB 2018, Las Vegas Convention Center, April 9-12Camera Corps will debut a major addition to its range of miniature robotic camera systems at the April 9-12 NAB Show in Las Vegas. The new Qx is a compact weatherproof head with integral pan/tilt/zoom/focus drives. Delivering high video quality, it offers producers the freedom to cut and mix with video feeds from full-size studio and outside-broadcast cameras.
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Black-finished and just 125 mm in diameter, the Qx is unobtrusive enough to be operated within view of other cameras both for studio productions and in OB coverage of live events. It can also be used as part of a commentator camera setup. Published 8 months ago. Pixomondo, Cube Creative and RealtimeUK Among V-Ray Day Speakers; New Mars Design Contest with HPToday, Chaos Group announced its V-Ray Day line-up for FMX 2018, its annual presentation series that brings exclusive production talks to show attendees.
This year, the talented artists at Pixomondo, Cube Creative and RealtimeUK will be delivering breakdowns of everything from Star Trek to game trailers, before Chaos Group announces a new partnership with HP that is set to award big prizes for designing a habitable future on Mars. Published 8 months ago. Blackmagic Design today announced that Fusion visual effects software is now available on the Linux platform. Linux is extremely popular in the world's leading visual effects production companies and this new Linux release is a major announcement for the visual effects industry.
This new Linux version of Fusion and Fusion Studio means visual effects artists can select their preferred computing platform, as Fusion is now available on Mac OS X, Windows, and Linux. All project files are common, so customers can work collaboratively, even when different artists are running different platforms on the same job. Published 2 years ago. Blackmagic Design today announced that both Fusion 8 and Fusion 8 Studio, the world's most advanced visual effects and motion graphics software, is now shipping and is available for download from the Blackmagic Design website for both Mac OS X and Windows. The release of Fusion 8 is the first ever Mac compatible release of Fusion, which was previously a Windows only product.
Fusion 8 Studio is now also available in 10, 20 or 50 multi user licenses, making it easy to install in larger creative groups and studios. The multi user licenses feature a single USB dongle programmed with multiple licenses that plug into a machine running Fusion Server, which is installed by default with Fusion Studio. Fusion Server manages the licenses across the Ethernet network. That means licenses can be floating and are not tied to any single machine, making it easy to administer in large facilities with lots of users. Published 3 years ago. PipelineFX's Render Farm Manager Helps Award-Winning Polish Animation Studio Tackle Projects Ranging from AAA Cinematics to Interactive Video InstallationsIt's created cinematics for AAA games and commercials for Coca-Cola.
Mac In Visual Studio Yu Kaldrman
It's produced viral teasers for the European Space Agency's Rosetta mission and visual effects for Lars von Trier's Antichrist. It's won two BAFTAs, and has been nominated for an Academy Award, a Golden Palm at Cannes, and a Golden Lion at the Venice Film Festival. Published 3 years ago. Blackmagic Design would like to congratulate the 2016 Oscar-nominated films that used an array of Blackmagic Design products, such as Blackmagic Cinema Cameras on “Mad Max: Fury Road,” as well as DaVinci Resolve Studio and Fusion Studio on “The Martian,” among others.
Hosted by the Academy of Motion Picture Arts and Sciences, the Oscars recognize cinematic achievements in the film industry, and Blackmagic Design is honored that its products were chosen to help bring these stunning films to life. Some of the 2016 Oscar-nominated films that used Blackmagic Design products include: published 3 years ago. Live Workshops Teach Actors, Producers, Directors and Animators the Art of Emerging Motion Capture Technology Using Leading Markerless Mocap Developer’s ToolsRecognizing the growing need for today’s professional actors, directors and producers to learn the unique challenges behind working with motion capture technology, iPi Soft, makers of the leading markerless motion capture technology iPi Motion Capture, has partnered with The Mocap Vaults,an educational resource that offers both online tutorials and live workshops in Los Angeles, Canada, London, and other European cities. Published 3 years ago. PipelineFX's Qube!
Helps Vision Globale Deliver Superpowered VFX for Movies like “X-Men: Days of Future Past”For Vision Globale, creating effects for movies like “X-Men: Days of Future Past” could be as complex as their plots. In its work on projects like Bryan Singer's time-travelling, shapeshifting, Academy Award-nominated blockbuster, the Montreal studio uses no fewer than four separate 3D packages, plus numerous other renderers, compositing applications, simulation tools and plugins. Fortunately, Qube!, PipelineFX's powerful render farm manager, is there to bring order to the chaos. Published 4 years ago. For a limited time, add the powerful, easy-to-use modeling, rendering and animation tools in LightWave 3D to any creative pipeline at an exclusive price The LightWave 3D® Group, a division of NewTek, Inc., is offering a $695 crossgrade price for a full license of LightWave 2015 software to current owners of all other 2D and 3D software programs for only $695, a savings of $300 over the current $995 (USD) retail price of LightWave. The $695 crossgrade offer is set to end February 20, 2015.
Details of the offer are available at www.lightwave3d.com/crossgradepromo. Published 4 years ago.
Geier Will Oversee All Work in the Newly Expanded New York StudioBryan Godwin, CEO shade VFX, announced today that visual effects producer Camille Geier has joined shade VFX as Executive Producer in the New York studio as of January 5th. An ILM alum, Geier has resided in New York for the past 10 years and will oversee shade’s feature and television New York slate including work on Marvel’s Netflix series – Daredevil. To accommodate the company’s growth, shade has expanded into a new 5000 square foot location housing over 25 artists with the ability to project up. Published 4 years ago. Religious Symbolism Subtly Plays Out Over A Fresco Painting In Enticing Animated Show Open To New, Thought-Provoking SeriesThe new HBO series “The Leftovers” asks many big questions about the meaning of life, the existence of God and the future of the human race. Likewise for the show’s main title sequence in which show creators Damon Lindelof (“Lost”) and writer Tom Perrotta turned to the award-winning creative studio yU+co.
And Creative Director Garson Yu to create a concept that matched the ambitions of the show. Published 4 years ago. Autodesk Boosts Creative Workflows with Upgrades and Flexible Subscription ModelsAutodesk is heading to Amsterdam for the International Broadcasting Convention (IBC) (September 12 – 16, 2014) with updates to its popular VFX, post production and 3D animation creative tools that enable artists to do their best work. In Hall 7, Stand D.25, Autodesk will feature an impressive lineup of speakers from creative shops around the world and also host a special Flame Awards event in celebration of this year’s most outstanding Flame talent.
Published 4 years ago. Shade Completes Work on 'Chef,' 'Amazing Spider-Man 2' And 'Million Dollar Arm'Bryan Godwin, CEO shade VFX, announced today that leading Visual Effects Supervisor Everett Burrell will join shade VFX on May 21st.
Burrell will work on both feature film and television projects in both of shade’s locations - Los Angeles and New York. Burrell departs LOOK Effects to join shade’s management team of Vice President/Executive Producer David Van Dyke and Business Development Executive Lisa Maher and will report to Godwin, shade’s Founder, Owner and Visual Effects Supervisor. Published 5 years ago. Big Block Creates Futuristic Drone Squadron for Subaru and DDB CanadaBicoastal digital production and design studio Big Block produced the live action shoot, virtual obstacle course and animated drone fleet for the television, cinema and online commercial “Subaru WRX STI vs. The Drones.” To show off the 2015 Subaru WRX STI’s best-in-its-class high performance power and impeccable control, DDB Canada’s Toronto office developed the concept of a futuristic autocross course made of CG drone quadcopters to challenge the WRX STI with real-time precision driving. Published 5 years ago.
Technology Used By The World’s Best Professional Artists, Animators, and Designers Now Available at No Cost to Emerging TalentsCloud graphics pioneer, OTOY Inc., today announced that its renowned 3D rendering software, OctaneRender™, along with OctaneRender™ plugins for Blender™ and Autodesk’s 3ds MAX® and shortly, Maya®, are now free for students. The move puts the same cutting-edge software that’s used by hundreds of thousands of professional artists, animators, and designers, in the hands of today’s up-and-coming talents at no cost if purchased using a.edu email address.
Published 5 years ago. Versatile Lighting, Shading, and Rendering Toolkit for 3ds Max Delivers Powerful New Feature Set; Production-Ready for Teams of Any SizeToday’s launch of Chaos Group’s V-Ray 3.0 for 3ds Max continues the company’s goals of making speed and simplicity accessible to all artists. With significant optimizations to the ray tracing core, Brute Force GI, Progressive Path Tracing, Reflections, Refractions and more are running up to 5x faster; while the new Progressive Production Renderer brings a new era of fast set-ups and quick iterations.
Published 5 years ago. Popular Renderer for Rhino Gets Major Overhaul Across the Board; Speed, Workflow, Lighting, and Material Improvements; Free for V-Ray 1.5 for Rhino CustomersToday marks the launch of V-Ray 2.0 for Rhino, the newest update to Chaos Group’s high-performance rendering engine for designers.
With up to 30x faster V-Ray RT performance, V-Ray Express tools and HDR Light Studio live connection with Light Paint, this release aims to promote creativity and artist-friendly workflows for Rhino users. Published 5 years ago. Golden and Silver Frog, both 3D winners, plus special screeners all shot with Codex workflowsCodex has issued congratulations to the multiple award-winning cinematographers whose digital features, photographed using Codex recording platforms, won in competition at the 2013 Camerimage Festival of Cinematography. Six movies, with budgets ranging from $1m to $100m, screened at the festival with the cinematographers reporting significant on-screen gains having used Codex at the heart of their production workflows. Published 5 years ago. Chinese Idol, the Chinese reality/singing competition modeled after American Idol, marks the start of every show with an animated opener that takes the TV viewer on a journey of synchronized sound, moving design, text and images.
The dazzling branded opening sequence as well as the dynamic live on-air and in-studio graphics are produced and delivered using Ventuz real-time 3D presentation and broadcast graphics software. Beijing-based Hunter, an interactive creative division of TVM, designed the on-air graphics for the show. Published 5 years ago. Brings revolutionary time-based cache sculpting to all 3D software pipelinesInteractive 3D sculpting software has forever changed the way 3D modelers, texture artists and designers create and manipulate CG content. ChronoSculpt™ from the LightWave 3D® Group, introduces sculpting over time, a revolutionary way to review and correct cache animation and dynamic simulation using time-based sculpting tools. Its flexible interface supports leading file formats for all professional 3D software programs, including LightWave 3D®, Autodesk 3ds Max and Maya, Luxology Modo, and Maxon Cinema 4D. Published 5 years ago.
New technical innovations and pricing model greatly reduce costs and bottlenecks in the render process for individual artists and studiosRender Rocket LLC, an advanced cloud-based rendering services company, today announced that it will showcase two new innovations at this year’s Siggraph - a new, open source cloud-rendering application called Render Rocket LaunchPad and a new cloud resource management tool called Render Rocket Throttle - as well as a new pricing model. Render Rocket will be presenting all three at the Intel Studio Lounge (Room 201B, off the show floor) at Siggraph 2013. Published 5 years ago. Top technology explorations spotlighted, including “Perspective Warp” in Photoshop and “Video Color Grading” in After EffectsAdobe (Nasdaq:ADBE) today presented a behind-the-scenes look at cutting-edge design and interactive technologies at Adobe MAX, The Creativity Conference.
Focused on creativity and expressiveness, MAX brings together over 5,000 creative industry leaders, visionaries and professionals to exchange ideas and inspiration and explore how creativity is changing the world. Published 6 years ago. In Latest Weighty Contribution For Marvel Studios, Luma Adds Iron Man & Iron Patriot Armor, Weaponry and Environmental EffectsLuma Pictures answered the call for Marvel Studios' new 'Iron Man 3,' the latest installment in the hit franchise, adding extensive full-body CG armor replacements for both 'Iron Man' and 'Iron Patriot' The VFX house, which now boasts locations in Santa Monica and Melbourne, also added weaponry, environmental and particle effects as well as CG backgrounds. This is the first 'Iron Man' for Luma, however the project marks its 4th collaboration with Marvel and 3rd with VFX published 6 years ago.
Plans installation in two studios used for live sports and entertainment showsHybrid, a leading provider of real-time graphics and robotic camera systems, announces that Al-Nahar TV—a global entertainment and news network leader in Egypt—has purchased Hybrid 3D virtual studio solutions and robotic camera heads. The equipment will transform two studios used for daily news, entertainment and live sports programming for Al Nahar Entertainment and Al-Nahar Sports channels respectively.
Published 6 years ago. Hybrid and CEI announce dealer agreement focused on affordable NEON virtual studio solution with real-time virtual camera motionHybrid, a leading provider of real-time graphics and robotic camera systems, has signed a dealer agreement with Communications Engineering, Inc. (CEI)—a leading systems integration firm in Newington, VA—to represent the Hybrid brand in the Americas, with particular focus on Hybrid’s Neon trackless 3D virtual studio solution. CEI will provide sales and technical support for Hybrid’s line of virtual studio and robotic camera products. Published 6 years ago.
Autodesk announced the new features of the Autodesk Entertainment Creation Suite 2014 today. The versatile workflow includes award-winning 3D animation, visual effects and creative tools, Autodesk Maya 2014, Autodesk 3ds Max 2014, Autodesk MotionBuilder 2014, Autodesk Mudbox 2014, Autodesk Softimage 2014 and Autodesk Sketchbook Designer 2014, all which have been updated to offer new workflow enhancements that help artists collaborate, manage complexity and move data through their pipeline more efficiently. Published 6 years ago.
Photo-Realistic Virtual Set, Social Media Interface and Enhanced Anchor/Video Interaction among New HighlightsAt NAB 2013 Hybrid, a leading provider of real-time graphics and robotic camera systems, will present a dynamic display of its product line working together and with third party products to deliver interactive presentations with unsurpassed visual imagery. Groundbreaking new features to several products will be introduced. Hybrid will exhibit in Booth C9908 during the NAB convention, being held from April 8-11th at the Las Vegas Convention Center. Published 6 years ago. Innovative VFX Sequences in Life of Pi, Prometheus and Men in Black 3 Benefit from CINEMA 4D and BodyPaint 3D TechnologyMAXON congratulates the many customers that won and were nominated by the Academy of Motion Picture Arts and Sciences, the Visual Effects Society (VES) and other prominent creative arts organizations for outstanding achievement in the visual effects and other categories who leveraged the company’s professional 3D solutions – CINEMA 4D and Body Paint 3D – to create this year’s most proclaimed characters, backgrounds and environments. Published 6 years ago.
Render Farm Management Software Gives a Speed Boost to Content Creation Firm’s Architectural, Branding, Film, and Large Image ProjectsAs the world’s appetite for content grows more and more insatiable, creative powerhouses like London’s Squint/Opera are finding their logistical edge in the most logical of places: pipeline management. With the help of PipelineFX’s render farm management software Qube!™, Squint/Opera has recently rewired their pipeline to put speed, performance and task order first – a move that has transformed an under-utilized system into a venerable powerhouse of its own.
Published 6 years ago. New Proof-of-Concept Game Developed by Autodesk Illustrates the Power of Scaleform Mobile SDKAutodesk Inc., announced the release of 'Starforce Battlement,' a new 2D mobile tower defense game developed by the Autodesk Gameware team using the Autodesk Scaleform Mobile Software Development Kit (SDK) and Autodesk 3ds Max software. Created as a proof-of-concept game, 'Starforce Battlement' is an engrossing mobile experience that demonstrates the latest capabilities of the Scaleform Mobile SDK. It is available today on iOS as a free iPad download and will be available on Android devices this year.
The game and all its assets, including the FMOD sound engine, are also provided to customers who purchase a Scaleform Mobile SDK license. Published 6 years ago. Global entertainment services company Prime Focus World provides award-winning visual effects and stereo 3D conversion services to major studios around the world. Its visual effects artists have created breathtaking shots for top films such as Avatar, Tron: Legacy, and the Harry Potter, Twilight and X-Men franchises, and its stereo 3D technicians have converted blockbusters including Harry Potter and the Deathly Hallows: Part 2 and Transformers: Dark of the Moon using its proprietary 2D-to-3D process, View-D. Published 6 years ago. Faceware’s New End-to-End Tool Suite Helps Animators Create High-Fidelity Facial Performances 3-10x Faster than Hand KeyingFaceware Technologies, Inc., a leading provider of 3D facial animation software for the video game, film, television and commercial industries, today announced that it has launched its Faceware Professional Product Line, a low-cost, start-to-finish facial animation tool suite built to capture, analyze and create realistic facial performances 3-10x faster than hand keying that same performance. The Faceware Professional Product Line, which until now has only been in production testing at select studios, includes completely updated versions of the Faceware Head-Mounted Camera System (HMCS) and Faceware Retargeter, and a brand new product called Faceware Analyzer.
This marks the first time Faceware has offered all of its internal technologies for use in studios. Published 7 years ago. Integrated Store Offers Simplified 3D Animation Option in 3ds Max 2013 and 3ds Max Design 2013 SoftwareAutodesk Inc., has introduced a new Autodesk Animation Store for the 2013 releases of Autodesk 3ds Max animation software and Autodesk 3ds Max Design visualization software, which began shipping today. The Autodesk Animation Store can be accessed from the 3ds Max products to provide a simplified 3D animation workflow that allows users to search, customize and purchase licenses to characters and motion clips without leaving the software.
Published 7 years ago. Digital Artists Worldwide Used Autodesk Digital Entertainment Creation Software to Create 2011's Most Celebrated MoviesDigital artists devoted days and years behind the scenes to help create the movie magic seen in many of this year's Academy Award-nominated films. In the categories for Best Visual Effects and Best Animated Film (Feature and Short) in particular, many artists relied on the same set of tools - Digital Entertainment Creation (DEC) software from Autodesk Inc.
(NASDAQ: ADSK). Published 7 years ago. From Comedies 'The Big Bang Theory' to 'Two and a Half Men,' Dramas 'NCIS' to 'Criminal Minds,' to Fantasy and Sci-Fi - TV Technology Rivals Hollywood EffectsThis year's fall television season features an impressive array of visual effects (VFX) created using Digital Entertainment Creation (DEC) software from Autodesk, Inc. (NASDAQ: ADSK) on sci-fi thrillers, dramas and sitcoms, new shows and returning favorites. Postproduction studios are applying blockbuster movie techniques and technologies to create compelling and immersive television programming on at least 50 shows this season, from the prehistoric creatures in 'Terra Nova,' to crime scene re-creations in 'NCIS,' to a powerful tornado in 'Criminal Minds.'
Published 7 years ago. Scaleform Middleware Helps Augment Reality Through Immersive User Interfaces in 'Dues Ex: Human Revolution'Eidos-Montreal, a Square Enix company, used some of the latest game development technology from Autodesk, Inc. (NASDAQ: ADSK), to develop the critically acclaimed 'Deus Ex: Human Revolution' video game. Autodesk Scaleform middleware helped the developer build immersive user interfaces (UIs) - from interactive world objects and the hero's Augmented Reality bioengineered enhancement, to basic menus and heads-up displays (HUDs). Autodesk Maya, Autodesk 3ds Max and Autodesk MotionBuilder software were used to create and populate the game's large futuristic world.
Published 7 years ago. Epic Integrates Autodesk Scaleform Middleware With Unreal Engine 3 to Create New User Experience for 'Gears of War 3'To create a spectacular conclusion for the 'Gears of War' trilogy, Epic Games extended its creative pipeline with a range of middleware and creative tools from Autodesk, Inc. The 'Gears of War 3' tour de force user interface (UI) features a highly polished gameplay experience with new and expanded multiplayer modes and the longest story campaign of Epic's games to date. To create the UI, Epic integrated Autodesk Scaleform middleware with Unreal Engine 3 and shared the complex data using Autodesk FBX asset exchange technology.
Published 7 years ago. Innovative Motion Capture Technology Proves Essential To Production Pipeline of the Latest Film In The Popular Online Sci-Fi Machinima SeriesWhat began six years ago as simply a “creative outlet” for rising filmmaker/animator Ian Chisholm, 'Clear Skies III', the third film in the machinima series about the space adventures of the crew aboard the battleship Clear Skies, has steadily built a huge online audience thanks to its memorable storyline and characters, and creative use of the iPi Soft’s Desktop Motion Capture system, which played an integral role in bringing Chisholm’s vision to life. Published 7 years ago.
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